# Wilame > Visual artist ## Posts - [Visibility as Cultural Memory](https://wila.me/visibility-as-cultural-memory/): I work with visibility as a form of cultural knowledge: not merely representation, but transmission. Queer life has long relied on codes—gesture, humor, color, and small recognitions. My practice sits inside this tension: to appear is to risk; to disappear is to lose. Visibility is often framed as a simple good: to be seen, to […] - [Entre os Vossos Dentes](https://wila.me/entre-os-vossos-dentes/): This piece shows a domestic interior. The title comes from the exhibition shown in the catalog: Entre os Vossos Dentes, by Adriana Varejão and Paula Rego — two artists who have powerfully addressed colonial histories and the possession of feminine - or feminised - bodies. - [Murmúrios](https://wila.me/murmurios/): Murmúrios began with a sound I couldn’t forget: a Catholic AM radio station playing in the background of my childhood. My great-aunt, Maria da Pureza, listened to it daily. She didn’t sing. She murmured. Softly, to herself. - [We made it to the club](https://wila.me/we-made-it-to-the-club/): About & Practice My practice investigates the instability of the image and, through it, the instability of perception. Every work of mine begins with observed situations, objects, bodies, and spaces. I subject them to processes of reduction, transfer, erasure, layering, and material transformation, so the image loses information, is interrupted, or depends on a particular action to continue existing. I am interested in the moment when something remains accessible only partially, as a trace or sensation. Domestic spaces, landscapes, thresholds, bodies, and botanical forms are recurring territories in my work. Through them, I explore how distance, light, the passage of time,... - [I was born a very grumpy baby](https://wila.me/i-was-born-a-very-grumpy-baby/): About & Practice My practice investigates the instability of the image and, through it, the instability of perception. Every work of mine begins with observed situations, objects, bodies, and spaces. I subject them to processes of reduction, transfer, erasure, layering, and material transformation, so the image loses information, is interrupted, or depends on a particular action to continue existing. I am interested in the moment when something remains accessible only partially, as a trace or sensation. Domestic spaces, landscapes, thresholds, bodies, and botanical forms are recurring territories in my work. Through them, I explore how distance, light, the passage of time,... - [The job was bigger than I anticipated](https://wila.me/the-job-was-bigger-than-i-anticipated/): About & Practice My practice investigates the instability of the image and, through it, the instability of perception. Every work of mine begins with observed situations, objects, bodies, and spaces. I subject them to processes of reduction, transfer, erasure, layering, and material transformation, so the image loses information, is interrupted, or depends on a particular action to continue existing. I am interested in the moment when something remains accessible only partially, as a trace or sensation. Domestic spaces, landscapes, thresholds, bodies, and botanical forms are recurring territories in my work. Through them, I explore how distance, light, the passage of time,... - [What are these things made of?](https://wila.me/what-are-these-things-made-of/): About & Practice My practice investigates the instability of the image and, through it, the instability of perception. Every work of mine begins with observed situations, objects, bodies, and spaces. I subject them to processes of reduction, transfer, erasure, layering, and material transformation, so the image loses information, is interrupted, or depends on a particular action to continue existing. I am interested in the moment when something remains accessible only partially, as a trace or sensation. Domestic spaces, landscapes, thresholds, bodies, and botanical forms are recurring territories in my work. Through them, I explore how distance, light, the passage of time,... - [The sun comes up in the east](https://wila.me/the-sun-comes-up-in-the-east/): About & Practice My practice investigates the instability of the image and, through it, the instability of perception. Every work of mine begins with observed situations, objects, bodies, and spaces. I subject them to processes of reduction, transfer, erasure, layering, and material transformation, so the image loses information, is interrupted, or depends on a particular action to continue existing. I am interested in the moment when something remains accessible only partially, as a trace or sensation. Domestic spaces, landscapes, thresholds, bodies, and botanical forms are recurring territories in my work. Through them, I explore how distance, light, the passage of time,... - [We closed the deal successfully](https://wila.me/we-closed-the-deal-successfully/): About & Practice My practice investigates the instability of the image and, through it, the instability of perception. Every work of mine begins with observed situations, objects, bodies, and spaces. I subject them to processes of reduction, transfer, erasure, layering, and material transformation, so the image loses information, is interrupted, or depends on a particular action to continue existing. I am interested in the moment when something remains accessible only partially, as a trace or sensation. Domestic spaces, landscapes, thresholds, bodies, and botanical forms are recurring territories in my work. Through them, I explore how distance, light, the passage of time,... - [I can make my own decisions](https://wila.me/i-can-make-my-own-decisions/): About & Practice My practice investigates the instability of the image and, through it, the instability of perception. Every work of mine begins with observed situations, objects, bodies, and spaces. I subject them to processes of reduction, transfer, erasure, layering, and material transformation, so the image loses information, is interrupted, or depends on a particular action to continue existing. I am interested in the moment when something remains accessible only partially, as a trace or sensation. Domestic spaces, landscapes, thresholds, bodies, and botanical forms are recurring territories in my work. Through them, I explore how distance, light, the passage of time,... - [My hands are too big to fit into these gloves](https://wila.me/my-hands-are-too-big-to-fit-into-these-gloves/): About & Practice My practice investigates the instability of the image and, through it, the instability of perception. Every work of mine begins with observed situations, objects, bodies, and spaces. I subject them to processes of reduction, transfer, erasure, layering, and material transformation, so the image loses information, is interrupted, or depends on a particular action to continue existing. I am interested in the moment when something remains accessible only partially, as a trace or sensation. Domestic spaces, landscapes, thresholds, bodies, and botanical forms are recurring territories in my work. Through them, I explore how distance, light, the passage of time,... - [I didn't want to make a big deal about it](https://wila.me/i-didnt-want-to-make-a-big-deal-about-it/): About & Practice My practice investigates the instability of the image and, through it, the instability of perception. Every work of mine begins with observed situations, objects, bodies, and spaces. I subject them to processes of reduction, transfer, erasure, layering, and material transformation, so the image loses information, is interrupted, or depends on a particular action to continue existing. I am interested in the moment when something remains accessible only partially, as a trace or sensation. Domestic spaces, landscapes, thresholds, bodies, and botanical forms are recurring territories in my work. Through them, I explore how distance, light, the passage of time,... ## Pages - [Japan pilgrimage, sacred perception & kōans](https://wila.me/koan/): About & Practice My practice investigates the instability of the image and, through it, the instability of perception. Every work of mine begins with observed situations, objects, bodies, and spaces. I subject them to processes of reduction, transfer, erasure, layering, and material transformation, so the image loses information, is interrupted, or depends on a particular action to continue existing. I am interested in the moment when something remains accessible only partially, as a trace or sensation. Domestic spaces, landscapes, thresholds, bodies, and botanical forms are recurring territories in my work. Through them, I explore how distance, light, the passage of time,... - [Cart](https://wila.me/cart/): About & Practice My practice investigates the instability of the image and, through it, the instability of perception. Every work of mine begins with observed situations, objects, bodies, and spaces. I subject them to processes of reduction, transfer, erasure, layering, and material transformation, so the image loses information, is interrupted, or depends on a particular action to continue existing. I am interested in the moment when something remains accessible only partially, as a trace or sensation. Domestic spaces, landscapes, thresholds, bodies, and botanical forms are recurring territories in my work. Through them, I explore how distance, light, the passage of time,... - [Home](https://wila.me/): About & Practice My practice investigates the instability of the image and, through it, the instability of perception. Every work of mine begins with observed situations, objects, bodies, and spaces. I subject them to processes of reduction, transfer, erasure, layering, and material transformation, so the image loses information, is interrupted, or depends on a particular action to continue existing. I am interested in the moment when something remains accessible only partially, as a trace or sensation. Domestic spaces, landscapes, thresholds, bodies, and botanical forms are recurring territories in my work. Through them, I explore how distance, light, the passage of time,... - [About](https://wila.me/about/): About & Practice My practice investigates the instability of the image and, through it, the instability of perception. Every work of mine begins with observed situations, objects, bodies, and spaces. I subject them to processes of reduction, transfer, erasure, layering, and material transformation, so the image loses information, is interrupted, or depends on a particular action to continue existing. I am interested in the moment when something remains accessible only partially, as a trace or sensation. Domestic spaces, landscapes, thresholds, bodies, and botanical forms are recurring territories in my work. Through them, I explore how distance, light, the passage of time,... ## Optional - [Agent (MCP protocol)](websites-agents.hostinger.com/wila.me/mcp) [comment]: # (Generated by Hostinger Tools Plugin)