A study of color as aura, vibration, and emotional camouflage. These abstracted self-portraits dissolve the body into chromatic fields, transforming silhouette into energy. What matters here is not the figure but what radiates around it: light, vapor, and the spectral expansions of presence.
Policromia investigates the thresholds between visibility and dissolution. Through blurred silhouettes and saturated chromatic gradients, the artist creates images that breathe in what cannot be said. These works operate between abstraction and embodiment: the body is sensed, echoed through temperature and aura rather than outline.
This series suggests that appearing is not always a declaration — sometimes it is a vibration, a frequency, a protective softness. Color becomes survival, a veil that reveals through concealment.