My practice investigates how atmospheres emerge through subtle shifts in the relationships between body, space, light and image.

I approach atmosphere as something unstable, produced through the interaction between material conditions and perception. A familiar room, a landscape or a body can acquire entirely different presences through small changes in image quality.

Working across painting, photography, textiles and performance, I use reduction as a recurring method. Instead of adding information, I gradually remove descriptive certainty, allowing images to dissolve until atmosphere becomes more significant than representation. 

Domestic environments remain an important field within this research as spaces where these relationships become particularly visible.