My work begins with domestic spaces and the images, objects, and gestures that inhabit them. I approach the home as a psychological and theatrical field: a space in which relationships are performed, and affection can coexist with conflict.

Windows recur throughout my practice as thresholds between interior and exterior, visibility and concealment. They frame the world while establishing the position from which it is observed. More recently, textiles have allowed me to extend this investigation through materials associated with touch, care, wear and domestic labour.

Working across photography, painting, textiles and artist books, I often transfer images between different supports. In this process, they lose definition, fragment or sink into the material. I am especially interested in what remains when its details begin to disappear: an atmosphere, a stain, a gesture or an emotional trace.

The domestic environment in my work is a space where memory is formed through proximity and vulnerability, and where ordinary materials can carry experiences that other forms of documentation cannot preserve.