Depois do Medo is a photographic series built around concealment, interruption, and partial visibility. Faces, hands, shadows, marks, and isolated figures appear as fragments rather than as elements of a continuous narrative. The images use contrast, cropping, and covering to destabilise recognition. The body fragments are treated as signs whose meanings remain unresolved. The body is present, but never fully disclosed.

The title refers to a condition in which fear is no longer represented directly. What remains is registered through posture, surface, distance, and the organisation of light. The series examines how photography can hold the trace of an experience.